Alright, alright, alright. Two posts in one day? Really? REALLY? Yes, really. Ma'lady is on a business trip and I am home alone, which is fine. I don't mind being alone, it is just different than what I am used to. During the school year I am generally surrounded by people-colleagues, office-mates, students, professors and the multitude of people that pass in and out of my life (through yoga, my family, Yogurtland/Pinkberry, roommates etc.)
So when I am alone I do crazy things-like obsessively watch television. And that is where my blog post stems from...Hoarders. I know for anyone who has followed me on the FB that I have been watching this show. The first time I saw it, I almost threw up. I just couldn't imagine how anyone could live like that, especially in the homes that were just so filthy and disgusted. I became intrigued. I watched as many episodes as possible on HULU and A&E. I watched as so many opened their doors to camera crews, therapists, organizers, their families (many of the family members hadn't been in the houses for several years) and many others. The show is designed to target a hoarder and get them help for their problem. The problem being, they have too much stuff and their homes are no longer usable. What fascinated me most were the people who could no longer live in their homes and were living in motels, shelters, a tent etc. I mean how could someone's house me so full of stuff that they can no longer live inside it? I mean with so many not having homes, having one that can't be used, flabbergasted me.
Of course these are very Western and white standards of normalcy and upkeep of the home. As I continued watching, I became increasingly irritated with the psychologists and therapists who came into the homes of the "hoarders." Not that I don't think hoarding is an issue, it obviously takes a toll on people, their relationships, and their families. As people get older they cannot navigate their piles so it becomes a hazard. For small children, they were born into the hoard and their motor skills aren't strong enough to move around and they need places to play, so the hoard is a definite problem.
But, what is most fascinating, was my reaction. Ma'lady could tell you, my house became immediately organized. I became freaked out that my sometimes mess could turn into a definite hoard, which now I don't think it could have, I am really not that messy of a person. For some reason the show made an impact on me and I think some of this might come from the fact that I think I was living in a sorta hoarda in EP. My stepfather was a definite hoarder-he never threw anything away; this left my mother with a tremendous amount of stress upon his passing. But also, in my former relationship, we always had one room (or loft) that was just full of stuff. Upon retrieving my last load of stuff, I realized how bad it had really gotten. I don't know that either she or I were "hoarders" because the rest of the house was not bad, and my new house is spic-and-span pretty much all the time, but I think we had the tendencies that I am so glad to be out of.
I actually do not have a lot of attachment to things. What I would be sad if I lost: My great great grandmother's earrings, my grandma's locket, my step father's pocket watch, my books, and a couple of clothing items. Other than that, I do not have a lot of sentimentality for objects and actually really do not like knick-knacks and little things and am glad to not have a bunch of things. I rarely took physical photos, and the few I have are either neatly displayed or packed up in boxes. I just wonder how I let the room get so bad and if it was me? what I have sort of concluded is that I think for a while I did have a problem with buying too many things, a full-blown shopping addiction-no, I couldn't afford that, but I just bought too many things I didn't have space for. I have always lived in small places, but finally have a storage unit and enough closet space for all my things and it feels really nice. I don't buy things I don't need and I rarely buy any new clothes-they come from the thrift store when they come, which isn't too often.
Hoarders just made me more self-aware about my personal space and enjoying it being organized and clean. I think I had kind of been waiting for my grown-up person gene to kick in (not that I was so messy or dirty), but I think I was waiting for my desire to love cleaning and organization to set in and it just wasn't. I thought I just didn't value that in my life. What I really think, it took me some time, a different living environment, and a desire to want to enjoy where I live-and wanting that space to be a certain way. Anywho, thanks Hoarders for showing me what I do not want to be.
Thursday, July 7, 2011
I found this poem
My friend from college sent me this poem a few years ago. I sought about looking for it today after realizing something about it was still lingering with me. I found it, a very easy search through my gmail does the trick pretty nicely, and have decided to post it because I a bored and have little to do right now.
you see me naked
-elyse bellamy
I told myself I would keep my distance from you
And as the noise filters in I try hard not to wake up
Our bodies making good use of this futon and an old blanket
Your indescribable hands
Tangled in my hair
The sun rises, somewhere
A smooth blue glow on the horizon
And it seeps through the window as we're falling asleep
You held an apple to my lips before I could admit that I was hungry
You left your lighter in my car before I could admit I loved you back
And it's for real now
Because I'm in some girl's living room
Bodies lining the floor from the coffee table to the door and you're
Touching my stomach and
Whispering in my ear
Situation fades to backdrop whenever you're here
Now my t-shirt is wrinkled
My eyes are red and
I left my best defenses between the sheets of that bed
I'm brushing my teeth at the sink of an unfamiliar bathroom or
Watching a stream of steam and soap spiral down the drain
My skin slippery with shampoo
Trying to pretend that I'm not waiting for you to slip in through
that door that doesn't really close and
Kiss me on the mouth while I'm standing there with
Nothing
To hide with
Nothing to hide behind
A thin layer of chapstick the only thing
Keeping me intact
I let the towel crumple at my feet and
Find my way back to where you're waiting
On the pillow
I promised myself I wouldn't write a poem about this-
Shredded paper, oil pastels, your photograph clenched in my fist
But whenever my lips graze your cheek and my fingers find themselves
tracing your jaw
The only words that ever seem to surface are those three that
I'm not supposed to I'm not supposed to I'm not supposed to be
Saying and
In the back seat
Crushing a raspberry on my tongue
You reach out and make everything taste like a shiver
Pulling me into your coat and dissolving all discomfort-
(Was I cold? Is it winter?
Come here and do your magic and it'll all come flooding back…)
In a cheap motel
Moonlight spills onto the blankets
And you're smiling at me in the darkness so I cover my face
Worried you'll stare too long and realize that I'm not what you
wanted in the first place
And I need you too much
I think I need you too much
Because I passed out listening to the songs that you gave me and
Woke up alone, curled up on my bedroom floor
Feeling homesick for your fingertips and the pockets of your jeans
Waiting for something to go so wrong that there just isn't any
solution
And I can't believe that I fought this fever for so long
Now in the parking lot,
On the sidewalk
At the bottom of the basement stairs I stand there
Wondering how long we have before someone tells me not to touch you
and
Daydreaming about the next time I can fall into your arms
I just hope you know that this is new to me
And let's not talk about worthy,
I'm still struggling to understand this flickering image of December
Let alone the fact that you seem to accept all my flaws with
Open eyes and this gentle perfection
Your palm slipping under my head just before it hits the carpet
Spilling your drink on the sleeve of my jacket
Healing me with just one look and a carefully held breath
The memory of singing for you on the other side of the room
Shaking so violently I could barely remember the words
And the way you came to me when I had finished
Raw and perfect and re-assuring in my insecurity
Turned me shy in front of your eyes
Suddenly aware that you have that kind of x-ray vision I've been
seeking
And it occurs to me that if I keep shedding my armor
I might get hurt
But at this point I'm going to risk it
And let my gaze drift to you
Because I'm sleepless and helpless and I don't know what else to do
Stumbling through midnight, somewhere in town
Holding onto each other for dear life as the rain comes down
The clock is three hours fast but
We get the idea
He beats out a rhythm from the radio on the steering wheel
Changes lanes and
Switches gears
Icy tear-drops of water slowly slide down the glass
Your seatbelt forgotten
Your head in my lap
And if I had known you would see me naked
I would've washed my hands one more time
Because it's getting so easy to feel beautiful whenever your soul
touches mine
I want to take a picture
I want to remember everything
Because tomorrow morning I'll be in a place where
Nobody understands
And your warmth hasn't left me
My thoughts are a messy collage
Of everything I'm trying so hard to keep from fading
That conversation, that dollar bill, that mistake, that massage
Swallowing sobs and this scream that threatens to escape and call
your name
The silence impacted by my passion and who-knows-how-long-it'll-be-
until-I-see-you-again
And I'm making promises
Because I want to hold it all inside
And I'm replaying all the amazing things that you said
Over the achingly insistent voice in my head
And concentrating on emotions I'm doing my best to subdue
I realize there is no distance powerful enough
To keep me
From you
you see me naked
-elyse bellamy
I told myself I would keep my distance from you
And as the noise filters in I try hard not to wake up
Our bodies making good use of this futon and an old blanket
Your indescribable hands
Tangled in my hair
The sun rises, somewhere
A smooth blue glow on the horizon
And it seeps through the window as we're falling asleep
You held an apple to my lips before I could admit that I was hungry
You left your lighter in my car before I could admit I loved you back
And it's for real now
Because I'm in some girl's living room
Bodies lining the floor from the coffee table to the door and you're
Touching my stomach and
Whispering in my ear
Situation fades to backdrop whenever you're here
Now my t-shirt is wrinkled
My eyes are red and
I left my best defenses between the sheets of that bed
I'm brushing my teeth at the sink of an unfamiliar bathroom or
Watching a stream of steam and soap spiral down the drain
My skin slippery with shampoo
Trying to pretend that I'm not waiting for you to slip in through
that door that doesn't really close and
Kiss me on the mouth while I'm standing there with
Nothing
To hide with
Nothing to hide behind
A thin layer of chapstick the only thing
Keeping me intact
I let the towel crumple at my feet and
Find my way back to where you're waiting
On the pillow
I promised myself I wouldn't write a poem about this-
Shredded paper, oil pastels, your photograph clenched in my fist
But whenever my lips graze your cheek and my fingers find themselves
tracing your jaw
The only words that ever seem to surface are those three that
I'm not supposed to I'm not supposed to I'm not supposed to be
Saying and
In the back seat
Crushing a raspberry on my tongue
You reach out and make everything taste like a shiver
Pulling me into your coat and dissolving all discomfort-
(Was I cold? Is it winter?
Come here and do your magic and it'll all come flooding back…)
In a cheap motel
Moonlight spills onto the blankets
And you're smiling at me in the darkness so I cover my face
Worried you'll stare too long and realize that I'm not what you
wanted in the first place
And I need you too much
I think I need you too much
Because I passed out listening to the songs that you gave me and
Woke up alone, curled up on my bedroom floor
Feeling homesick for your fingertips and the pockets of your jeans
Waiting for something to go so wrong that there just isn't any
solution
And I can't believe that I fought this fever for so long
Now in the parking lot,
On the sidewalk
At the bottom of the basement stairs I stand there
Wondering how long we have before someone tells me not to touch you
and
Daydreaming about the next time I can fall into your arms
I just hope you know that this is new to me
And let's not talk about worthy,
I'm still struggling to understand this flickering image of December
Let alone the fact that you seem to accept all my flaws with
Open eyes and this gentle perfection
Your palm slipping under my head just before it hits the carpet
Spilling your drink on the sleeve of my jacket
Healing me with just one look and a carefully held breath
The memory of singing for you on the other side of the room
Shaking so violently I could barely remember the words
And the way you came to me when I had finished
Raw and perfect and re-assuring in my insecurity
Turned me shy in front of your eyes
Suddenly aware that you have that kind of x-ray vision I've been
seeking
And it occurs to me that if I keep shedding my armor
I might get hurt
But at this point I'm going to risk it
And let my gaze drift to you
Because I'm sleepless and helpless and I don't know what else to do
Stumbling through midnight, somewhere in town
Holding onto each other for dear life as the rain comes down
The clock is three hours fast but
We get the idea
He beats out a rhythm from the radio on the steering wheel
Changes lanes and
Switches gears
Icy tear-drops of water slowly slide down the glass
Your seatbelt forgotten
Your head in my lap
And if I had known you would see me naked
I would've washed my hands one more time
Because it's getting so easy to feel beautiful whenever your soul
touches mine
I want to take a picture
I want to remember everything
Because tomorrow morning I'll be in a place where
Nobody understands
And your warmth hasn't left me
My thoughts are a messy collage
Of everything I'm trying so hard to keep from fading
That conversation, that dollar bill, that mistake, that massage
Swallowing sobs and this scream that threatens to escape and call
your name
The silence impacted by my passion and who-knows-how-long-it'll-be-
until-I-see-you-again
And I'm making promises
Because I want to hold it all inside
And I'm replaying all the amazing things that you said
Over the achingly insistent voice in my head
And concentrating on emotions I'm doing my best to subdue
I realize there is no distance powerful enough
To keep me
From you
Tuesday, June 28, 2011
Don't Know How to Act, INstallment II: Straight, White, Male Co-Workers from my Summer Job.
So after the last, controversial, yet hilarious, installment of "You Don't Know How tO Act I," comes another rousing rendition of my not-so-witty banter against my coworkers from my office job this summer. I don't know what it is about white, straight men that they feel like they can say whatever they want to me, and about me, but I was so friggin annoyed that a couple nights ago, after chatting with my friend, we decided the second, "You don't know how to act," had to come into existence.
I have never worked a corporate, or semi-corporate job before. This summer, I saw an ad for a job fair only requiring a college degree and two classes in math, which I have to grade standardized tests. I applied, was hired, and told to come into the center to grade math tests. A few things as caveats: I hate standardized tests, especially for math, and especially because they often determine how much funding a school/school district/state will receive. I think standardized tests often limit the learning process and benefit those who learn in sort of white, middle-class, normative ways. At the same time, by fifth grade, students should probably be able to estimate how many days are in a month and do some basic math based on that estimation. Also, I am broke and was in need of a part-time job and this seemed like a decent fit. Well, educationally, sure, I was over-qualified, but I am not above working for $10 somewhere part-time, so when they said they were going to pay me $10.75, I drove to Longmont pretty willingly.
I was seated in a room with at least 30 tables of 12 people each. We all had a computer monitor in front of us and each table is trained on how to grade a specific question. It isn't hard, I felt like I could pretty much get in, work, and be done. Of course with that many people, with that many egos, it was going to be a challenge to navigate those close quarters. For the most part, I was fine, but I began to realize how sexualized my body became and how devalued my mind and voice was because I am female. The couple times I alluded to my queerness, it was sort of brushed over. What I should also say, is that my experience is not at all unique I'm sure, and the fact that I am white frames my experience in a particular way, meaning, I am privileged even as I am disadvantaged in a corporate space. And while, I felt this more pronounced in the one space, I know from what I have read/heard from women of color, their bodies feel exposed pretty consistently, something I am not as used to. Also, living in the academy, while not intrinsically safe, and has caused pain for many, that has so far not been my over-arching experience (again, I'm white and educated, and I perform middle-class pretty well) so I see how my positionality reflects my privilege. Like my FB status, I am glad to be in the academy, despite its flaws. Luckily, I had two pretty great allies at the table, or maybe I was allied to them? Either way, I appreciate their voices and back up, but this is for the a-holes that felt the need to just blab off to me, because they don't know how to act.
To the white, d-bag meathead across the way:YOU DON'T KNOW HOW TO ACT: It wasn't funny when you made that racial slur about Latinos and messing with one bean and the whole burrito. While I made sure to comment on the stupidity of that joke with an appropriate "Wha, Wha, Wha," when the Latino man at the end of the table sarcastically said, "I don't know that one..." when you made the comment about things being "retarded" I realized it was a pattern, not a one-time offense. While I am not about being P.C. being aware of the power and privilege that comes with the historical and political contexts of these words isn't about Political Correctness, its about caring about the ways our language influence other people's realities. Eff you for saying that it isn't the words, but my reaction to them, that makes them problematic! As if feelings, reactions, context, etc could be separate from the word itself? Then you had the audacity to tell me that I was close-minded and not willing to hear another side of the argument. While sometimes I am all for dialoguing and hearing voices of other people, in this case, I really didn't care what you had to say because what you were saying was hurtful to people (including me!), and allowing hurt to happen is something I won't stand to listen to-it wastes my valuable time and energy. I sort of draw the line at perpetuating pain towards others. Finally, when you asked me why I wanted to change the system, "What's wrong with the system," you said, and I said, "IT"S OPPRESSIVE," and you just laughed, I realized, the potential for any sort of dialogue process was worthless. I retract my high-five and fist bump from you, because YOU DO NOT KNOW HOW TO ACT!
To my sneaky senior-reader, who I thought was nice, but was constantly sexualizing me: You Don't Know How to Act! Being female always puts the female body on display, for women from other marginalized groups even more so. All women's bodies are constantly the aim of scrutiny and measurement (I just read an article about ways to talk to little girls that value their minds instead of their appearances!) Anyway, I thought you were a nice guy, sort of nerdy and unassuming, but a couple times you made really inappropriate comments to me i.e. when I had a Banana-flavored Tootsie Pop in my mouth (I won't go there, but you get the idea) and on the last day as I was exiting the bathroom, you said: I just want you to know you have beautiful eyes. Every time I come over to talk to you, they are just so beautiful. While I get this as a compliment, it seems inappropriate coming from someone on a superior position who gets to evaluate me at the end to see if I am re-hireable for future projects. Why don't I get to evaluate you?!?! Not that you did a shitty job, but I would definitely comment on such a thing. And why is my body up for evaluation? Would you have told a male employee how good he looked, or how nice his smile is? Probably not. Of course there are a multiplicity of reasons why you wouldn't do this but it doesn't give you a right to do it to me either. Sneaky senior-reder, YOU DON"T KNOW HOW TO ACT!!
Finally: Mr. Trainer: You Don't Know How to Act! If it wasn't enough that you aren't that good at your job of training, the fact that you do it in such a masculinist way makes me want to vomit. Thanks for making the single mom at my table feel stupid when she asked a question on a specific problem she was grading(last time I checked, it was your effing job to answer questions just like these!!!) But of course you felt that you could speak with her in a patronizing tone, I mean she is obviously horrible at what she does and doesn't understand at all, even though she was the best scorer at the table and EVERYONE knew that! More importantly, she was female, so that makes her less-valuable and in need of a good chastising every once in a while! Ugh. However, Mr. Trainer, wasn't just rude to her, he also forced a guy to sit down and finish listening to the presentation when he wasn't done talking. Of course with him he used a demanding, not patronizing tone, because he's a man and can handle it. He also got an apology later, something which my table mate did not receive. Maybe you should let me boss you around for awhile, see how it feels? Or I could treat you like the ignorant a-hole you are and we'll see how long that lasts? Mr. Trainer, YOU DO NOT KNOW HOW TO ACT!
With all of this said, my job is over and I do not know if I will ever return. It is good pay, but kind of a drive and crap-tastic hours. But the people are so charming, it makes it hard to stay away, she said sarcastically.
I have never worked a corporate, or semi-corporate job before. This summer, I saw an ad for a job fair only requiring a college degree and two classes in math, which I have to grade standardized tests. I applied, was hired, and told to come into the center to grade math tests. A few things as caveats: I hate standardized tests, especially for math, and especially because they often determine how much funding a school/school district/state will receive. I think standardized tests often limit the learning process and benefit those who learn in sort of white, middle-class, normative ways. At the same time, by fifth grade, students should probably be able to estimate how many days are in a month and do some basic math based on that estimation. Also, I am broke and was in need of a part-time job and this seemed like a decent fit. Well, educationally, sure, I was over-qualified, but I am not above working for $10 somewhere part-time, so when they said they were going to pay me $10.75, I drove to Longmont pretty willingly.
I was seated in a room with at least 30 tables of 12 people each. We all had a computer monitor in front of us and each table is trained on how to grade a specific question. It isn't hard, I felt like I could pretty much get in, work, and be done. Of course with that many people, with that many egos, it was going to be a challenge to navigate those close quarters. For the most part, I was fine, but I began to realize how sexualized my body became and how devalued my mind and voice was because I am female. The couple times I alluded to my queerness, it was sort of brushed over. What I should also say, is that my experience is not at all unique I'm sure, and the fact that I am white frames my experience in a particular way, meaning, I am privileged even as I am disadvantaged in a corporate space. And while, I felt this more pronounced in the one space, I know from what I have read/heard from women of color, their bodies feel exposed pretty consistently, something I am not as used to. Also, living in the academy, while not intrinsically safe, and has caused pain for many, that has so far not been my over-arching experience (again, I'm white and educated, and I perform middle-class pretty well) so I see how my positionality reflects my privilege. Like my FB status, I am glad to be in the academy, despite its flaws. Luckily, I had two pretty great allies at the table, or maybe I was allied to them? Either way, I appreciate their voices and back up, but this is for the a-holes that felt the need to just blab off to me, because they don't know how to act.
To the white, d-bag meathead across the way:YOU DON'T KNOW HOW TO ACT: It wasn't funny when you made that racial slur about Latinos and messing with one bean and the whole burrito. While I made sure to comment on the stupidity of that joke with an appropriate "Wha, Wha, Wha," when the Latino man at the end of the table sarcastically said, "I don't know that one..." when you made the comment about things being "retarded" I realized it was a pattern, not a one-time offense. While I am not about being P.C. being aware of the power and privilege that comes with the historical and political contexts of these words isn't about Political Correctness, its about caring about the ways our language influence other people's realities. Eff you for saying that it isn't the words, but my reaction to them, that makes them problematic! As if feelings, reactions, context, etc could be separate from the word itself? Then you had the audacity to tell me that I was close-minded and not willing to hear another side of the argument. While sometimes I am all for dialoguing and hearing voices of other people, in this case, I really didn't care what you had to say because what you were saying was hurtful to people (including me!), and allowing hurt to happen is something I won't stand to listen to-it wastes my valuable time and energy. I sort of draw the line at perpetuating pain towards others. Finally, when you asked me why I wanted to change the system, "What's wrong with the system," you said, and I said, "IT"S OPPRESSIVE," and you just laughed, I realized, the potential for any sort of dialogue process was worthless. I retract my high-five and fist bump from you, because YOU DO NOT KNOW HOW TO ACT!
To my sneaky senior-reader, who I thought was nice, but was constantly sexualizing me: You Don't Know How to Act! Being female always puts the female body on display, for women from other marginalized groups even more so. All women's bodies are constantly the aim of scrutiny and measurement (I just read an article about ways to talk to little girls that value their minds instead of their appearances!) Anyway, I thought you were a nice guy, sort of nerdy and unassuming, but a couple times you made really inappropriate comments to me i.e. when I had a Banana-flavored Tootsie Pop in my mouth (I won't go there, but you get the idea) and on the last day as I was exiting the bathroom, you said: I just want you to know you have beautiful eyes. Every time I come over to talk to you, they are just so beautiful. While I get this as a compliment, it seems inappropriate coming from someone on a superior position who gets to evaluate me at the end to see if I am re-hireable for future projects. Why don't I get to evaluate you?!?! Not that you did a shitty job, but I would definitely comment on such a thing. And why is my body up for evaluation? Would you have told a male employee how good he looked, or how nice his smile is? Probably not. Of course there are a multiplicity of reasons why you wouldn't do this but it doesn't give you a right to do it to me either. Sneaky senior-reder, YOU DON"T KNOW HOW TO ACT!!
Finally: Mr. Trainer: You Don't Know How to Act! If it wasn't enough that you aren't that good at your job of training, the fact that you do it in such a masculinist way makes me want to vomit. Thanks for making the single mom at my table feel stupid when she asked a question on a specific problem she was grading(last time I checked, it was your effing job to answer questions just like these!!!) But of course you felt that you could speak with her in a patronizing tone, I mean she is obviously horrible at what she does and doesn't understand at all, even though she was the best scorer at the table and EVERYONE knew that! More importantly, she was female, so that makes her less-valuable and in need of a good chastising every once in a while! Ugh. However, Mr. Trainer, wasn't just rude to her, he also forced a guy to sit down and finish listening to the presentation when he wasn't done talking. Of course with him he used a demanding, not patronizing tone, because he's a man and can handle it. He also got an apology later, something which my table mate did not receive. Maybe you should let me boss you around for awhile, see how it feels? Or I could treat you like the ignorant a-hole you are and we'll see how long that lasts? Mr. Trainer, YOU DO NOT KNOW HOW TO ACT!
With all of this said, my job is over and I do not know if I will ever return. It is good pay, but kind of a drive and crap-tastic hours. But the people are so charming, it makes it hard to stay away, she said sarcastically.
Thursday, June 16, 2011
PRIDE Season is upon us
Well, it has been a long time since Blogging, but I finally have a few free moments. I feel that now PRIDE season is upon us, I need to put in my two cents about the complexity of a celebration based around fractured, non-cohesive and diverse identities.
The words of Jenny Schector from the L Word tend to haunt me whenever I think of gay pride. In the episode, not sure which one, Jenny has a conversation with an older woman about celebrating Gay Pride. It goes a little something like this:
Older Woman:What are you doing here?
Jenny:I'm celebrating gay pride, I guess.
Older Woman:You mean gay shame. That's what it really is
Jenny:Why?
Older Woman: 'Cos most of us have more shame than pride.
While Jenny is crazy and the writing for the L Word is less than sub-par, there is something profound about this quotation. Why do we need to celebrate gay pride? Is it because the rest of the year we live in gay shame? Or if we don't identify with the politics of gay pride then what? So these are some of my ponderings.
I often wonder why PRIDE? Why the name PRIDE; why such a need to focus on being proud; why the focus on equality discourse; why all the children; and why does it take the form of an all-to-often apolitical party, where GLBTQ people take their clothes off and make out with people on street corners? I am not saying these are necessarily bad things, as putting judgements on things is not necessarily the best way to understand them, but I am just curious about the purpose of PRIDE.
In the past I have usually attended sort of begrudgingly, with my partner at the time and I leaving early to catch a movie or hitting Sanchos on the walk back to City Park. I have not enjoyed the sort of normative GL politics that surround the celebration, romanticizing partnerships, marriage, children and families. It has always seemed to lack the sort of QUEER intent that could accompany such an event.
This year however, my lovely Lady has never been to a PRIDE celebration and she is excited to experience what it might be all about. I am mostly hoping to come home having adopted (a puppy, not a child) and maybe have scored some free schwag (promotional items, not mari-ju-wana.) I want her to experience it and I want to experience it with her. As she is not someone who has necessarily done a lot of "gay stuff" in her life, who knows what PRIDE may provide for her? A space to make communities visible; a reaffirmation of her identity? Who knows? But there may be some possibilities there and I am excited to witness them. And maybe, she will hate it.
This does not mean squelching my traditional feelings, that PRIDE should maybe be less traditional, but maybe opening up my thoughts to the possibility that PRIDE is sort of a weird thing and seems to reaffirm the sort of in-group/out-group dynamics that make me feel uneasy about identifying as part of a larger queer community in general. Basically, this year may be really different because I have been living in the city for the past year now, which provides me with a network of resources and friends not available to me before. If PRIDE is about community then maybe it will be a totally different experience to HAVE A COMMUNITY, or at least be a part of one.
Maybe it will be different to know that friends of mine will be performing drag, feeling a greater sense of relationality to the people and space? Like I tell my students everything is contextual, so an experience that happened once or twice may not be indicative of how I will always feel about it as the experience is bound to shift and change depending on circumstance and relationships!
Even greater than that, I think my politics have been shifting a bit because ever since this whole going through a life shift, I find myself wanting more stability, less fractured-ness, definitely not wanting to be polyamorous, and maybe wanting kids and a house someday. Wow, what a shift. Maybe that comes from the potential of positive thinking and living.
The other day my friend asked me to think back on my year and he asked me if I was happier with myself and my life. I responded, "Yes!" How could I not be? I have had an excellent year! I got to teach an sort-of-higher-level undergrad Comm class, presented a queer rhetoric paper in front of Dr. Chuck Morris (yep, that's his real name!), visited San Francisco, met my Lady my Lady, moved to Denver, had a TOP PAPER at WSCA, submitted my first pub (which was subsequently rejected, but hey,you gotta start somewhere), met some amazing people, saw Danielle Ate The Sandwich in a private house concert, went to three shows at the Wildflower Pavilion, saw my friends graduate, realized I was one official course away from being done with course work, had a panel performance accepted to NCA for the conference theme, did I mention meeting my Lady ;), moved to the Highlands, lost close to 50 lbs. making hiking, biking and living much easier for my body, had my best friend I hadn't seen in six years come to visit, started trying to deal with my conflict in a more constructive manner, started working on my inner-being a bit more, fell in love, realized I have THE most amazing dog EVER, and so so so many other great things. My life is full of light and love and I could not ask for anything more!
Shanti, Shanti, Shanti. Peace, Peace, Peace.
The words of Jenny Schector from the L Word tend to haunt me whenever I think of gay pride. In the episode, not sure which one, Jenny has a conversation with an older woman about celebrating Gay Pride. It goes a little something like this:
Older Woman:What are you doing here?
Jenny:I'm celebrating gay pride, I guess.
Older Woman:You mean gay shame. That's what it really is
Jenny:Why?
Older Woman: 'Cos most of us have more shame than pride.
While Jenny is crazy and the writing for the L Word is less than sub-par, there is something profound about this quotation. Why do we need to celebrate gay pride? Is it because the rest of the year we live in gay shame? Or if we don't identify with the politics of gay pride then what? So these are some of my ponderings.
I often wonder why PRIDE? Why the name PRIDE; why such a need to focus on being proud; why the focus on equality discourse; why all the children; and why does it take the form of an all-to-often apolitical party, where GLBTQ people take their clothes off and make out with people on street corners? I am not saying these are necessarily bad things, as putting judgements on things is not necessarily the best way to understand them, but I am just curious about the purpose of PRIDE.
In the past I have usually attended sort of begrudgingly, with my partner at the time and I leaving early to catch a movie or hitting Sanchos on the walk back to City Park. I have not enjoyed the sort of normative GL politics that surround the celebration, romanticizing partnerships, marriage, children and families. It has always seemed to lack the sort of QUEER intent that could accompany such an event.
This year however, my lovely Lady has never been to a PRIDE celebration and she is excited to experience what it might be all about. I am mostly hoping to come home having adopted (a puppy, not a child) and maybe have scored some free schwag (promotional items, not mari-ju-wana.) I want her to experience it and I want to experience it with her. As she is not someone who has necessarily done a lot of "gay stuff" in her life, who knows what PRIDE may provide for her? A space to make communities visible; a reaffirmation of her identity? Who knows? But there may be some possibilities there and I am excited to witness them. And maybe, she will hate it.
This does not mean squelching my traditional feelings, that PRIDE should maybe be less traditional, but maybe opening up my thoughts to the possibility that PRIDE is sort of a weird thing and seems to reaffirm the sort of in-group/out-group dynamics that make me feel uneasy about identifying as part of a larger queer community in general. Basically, this year may be really different because I have been living in the city for the past year now, which provides me with a network of resources and friends not available to me before. If PRIDE is about community then maybe it will be a totally different experience to HAVE A COMMUNITY, or at least be a part of one.
Maybe it will be different to know that friends of mine will be performing drag, feeling a greater sense of relationality to the people and space? Like I tell my students everything is contextual, so an experience that happened once or twice may not be indicative of how I will always feel about it as the experience is bound to shift and change depending on circumstance and relationships!
Even greater than that, I think my politics have been shifting a bit because ever since this whole going through a life shift, I find myself wanting more stability, less fractured-ness, definitely not wanting to be polyamorous, and maybe wanting kids and a house someday. Wow, what a shift. Maybe that comes from the potential of positive thinking and living.
The other day my friend asked me to think back on my year and he asked me if I was happier with myself and my life. I responded, "Yes!" How could I not be? I have had an excellent year! I got to teach an sort-of-higher-level undergrad Comm class, presented a queer rhetoric paper in front of Dr. Chuck Morris (yep, that's his real name!), visited San Francisco, met my Lady my Lady, moved to Denver, had a TOP PAPER at WSCA, submitted my first pub (which was subsequently rejected, but hey,you gotta start somewhere), met some amazing people, saw Danielle Ate The Sandwich in a private house concert, went to three shows at the Wildflower Pavilion, saw my friends graduate, realized I was one official course away from being done with course work, had a panel performance accepted to NCA for the conference theme, did I mention meeting my Lady ;), moved to the Highlands, lost close to 50 lbs. making hiking, biking and living much easier for my body, had my best friend I hadn't seen in six years come to visit, started trying to deal with my conflict in a more constructive manner, started working on my inner-being a bit more, fell in love, realized I have THE most amazing dog EVER, and so so so many other great things. My life is full of light and love and I could not ask for anything more!
Shanti, Shanti, Shanti. Peace, Peace, Peace.
Sunday, April 17, 2011
Forgiveness
I started a post this morning and then decided to retract it because it wasn't written very well (which hasn't really stopped me before) nor was it what I think I really have wanted to say.
I should be working on a performance for my class tomorrow at 2 about pedagogical bodies and disciplining, especially female teacher's bodies into very rigid and oppressive systems. But I'm not. I explained to my writing class that I often have to write here before I can write anywhere else. So, before I do that, I have a couple of things waiting to come out.
I think both being broken up with and moving are two of THE BIGGEST crazy-makers out there. Luckily for me and everyone around me, I have gotten to do both in a matter of months. While I think I have done pretty well, considering that adding onto those two things a pile of stress from teaching, TAing, and actually being in a real class again, getting ready to propose comprehensive exam questions, and eventually a dissertation proposal, a mound of social stress, and what do you get? You get me. Me who is trying to wrestle with achieving inner-piece through meditation and prayer, but also trying to not be an emotional invalid, who doesn't let people to walk all over them anymore.
This is where that pedagogical body intervention thing happens. I think that for a long time I lived in a beautiful place and had this life that was beautiful. But for me being in that place was actually very stifling to who I am. And this is because of me, because of who I allowed myself to be when I was there. I allowed the lifestyle of the mountains to wash over me and actually overwhelm who I am as a person. Because when I was there, I wasn't me, or the most-authentic version of me that I eventually want to be (a person who really values diversity and richness of experience, also known as living in a place that stays open passed 9 p.m. in the winter, a person who is loud and outspoken for people and things she loves, and a person who needs change.)
Much like my first quarter of teaching, I tried to force myself to belong in a very rigid way to a community I was always on the outside too. I was always trying to be what a "cool" teacher is supposed to be like. I forced myself to lose a lot of what I value in the world because I wanted to be "cool." While this was me, as performance is never separated from identity, it isn't who I always want to be. I wore really specific clothes, business-casual, I tried to put on upper-middle class airs, with high waisted skirts and dressy shirts. I tried to be cool and calm and a bit sexy to get my male students to take note. I made sure everything was perfect, that my performance matched up with what was expected of me. A little "Hot for Teacher" never hurt anybody.
I hid from conflict, shied away. It was easier to just be quiet, just be small. Taking up space didn't seem to be my role in the classroom. Looking back, everyday, before class I would rush to the bathroom, to check that all of my hairs were in place, that I had nothing in my teeth, or hanging out of my nose. I would apply one last, fresh coat of beige to my face, covering up any pores, dusting off any black smudges of eyeliner or mascara. I would walk into that classroom, set my things down, perfectly. The room was tiered so the students sat above me, and the spotlight of their eyes focused intently. I felt like I was the center of attention and hated it so much, that I tried to avoid it at all costs. Avoid. Do not be loud. Let everyone be louder, make more noise, be better at everything for me. And my body suffered, my scholarship suffered, my heart suffered for trying to constantly be small.
I was doing my best, but I do not like that person. One of my written evals said, "She doesn't tell us what she thinks enough. She just turns it around, like what do you all think?" And this was written like a bad thing, like why could I not be gutsier to talk about my opinions? Why is it that sometimes the best most liberating spaces, squelch us the most? Or why can it be productive for some and all-consuming for others? This is as true a performance in life as it is in teaching. To be honest, I don't see a ton of difference between the two.
I am not a very good teacher. Yet. I am not the best at living my life yet either. But I love being in the process. Of pretty much making mistakes and then fixing them or letting some go unfixed. But what I am learning even more is that I am in process of forgiving. Of forgiving people who have hurt me, but mostly of forgiving myself and allowing myself the time and energy to heal the way I need to. Which, for all you unlucky people out there, is loudly, is proudly, in community. While this may not be what you are used to, while it may make me a bitch, or crazy, I think it is just a bit of the old me making a comeback. But because it is a process, I offer, this video/lyrics from the Glee Ep, "Original Songs." Because. I. AM. Rachel.
http://www.youtube.com/watch?v=ltA50HKyM14
What have I done? I wish I could run
Away from this ship goin' under
Just tryin' to help, hurt everyone
Now I feel the weight of the world is
On my shoulders
What can you do when your good isn't good enough?
When all that you touch tumbles down?
'Cause my best intentions keep making a mess of things
I just wanna fix it somehow
But how many it times will it take?
Oh, how many times will it take for me?
To get it right
To get it ri-igh-ight
Can I start again with my faith shaken?
'Cause I can't go back and undo this
I just have to stay and face my mistakes
But if I get stronger and wiser
I'll get through thisWhat can you do when your good isn't good enough?
When all that you touch tumbles down?
'Cause my best intentions keep making a mess of things
I just wanna fix it somehow
But how many it times will it take?
Oh, how many times will it take for me?
To get it right
To get it ri-igh-ight
So I throw up my fist
I will punch in the air
And accept the truth that sometimes life isn't fair
Yeah, I'll send out a wish
Yeah, I'll send up a prayer
And finally, someone will see
How much I care!
What can you do when your good isn't good enough?
When all that you touch tumbles down?
'Cause my best intentions keep making a mess of things
I just wanna fix it somehow
But how many it times will it take?
Oh, how many times will it take for me?
To get it right
To get it ri-igh-ight
I should be working on a performance for my class tomorrow at 2 about pedagogical bodies and disciplining, especially female teacher's bodies into very rigid and oppressive systems. But I'm not. I explained to my writing class that I often have to write here before I can write anywhere else. So, before I do that, I have a couple of things waiting to come out.
I think both being broken up with and moving are two of THE BIGGEST crazy-makers out there. Luckily for me and everyone around me, I have gotten to do both in a matter of months. While I think I have done pretty well, considering that adding onto those two things a pile of stress from teaching, TAing, and actually being in a real class again, getting ready to propose comprehensive exam questions, and eventually a dissertation proposal, a mound of social stress, and what do you get? You get me. Me who is trying to wrestle with achieving inner-piece through meditation and prayer, but also trying to not be an emotional invalid, who doesn't let people to walk all over them anymore.
This is where that pedagogical body intervention thing happens. I think that for a long time I lived in a beautiful place and had this life that was beautiful. But for me being in that place was actually very stifling to who I am. And this is because of me, because of who I allowed myself to be when I was there. I allowed the lifestyle of the mountains to wash over me and actually overwhelm who I am as a person. Because when I was there, I wasn't me, or the most-authentic version of me that I eventually want to be (a person who really values diversity and richness of experience, also known as living in a place that stays open passed 9 p.m. in the winter, a person who is loud and outspoken for people and things she loves, and a person who needs change.)
Much like my first quarter of teaching, I tried to force myself to belong in a very rigid way to a community I was always on the outside too. I was always trying to be what a "cool" teacher is supposed to be like. I forced myself to lose a lot of what I value in the world because I wanted to be "cool." While this was me, as performance is never separated from identity, it isn't who I always want to be. I wore really specific clothes, business-casual, I tried to put on upper-middle class airs, with high waisted skirts and dressy shirts. I tried to be cool and calm and a bit sexy to get my male students to take note. I made sure everything was perfect, that my performance matched up with what was expected of me. A little "Hot for Teacher" never hurt anybody.
I hid from conflict, shied away. It was easier to just be quiet, just be small. Taking up space didn't seem to be my role in the classroom. Looking back, everyday, before class I would rush to the bathroom, to check that all of my hairs were in place, that I had nothing in my teeth, or hanging out of my nose. I would apply one last, fresh coat of beige to my face, covering up any pores, dusting off any black smudges of eyeliner or mascara. I would walk into that classroom, set my things down, perfectly. The room was tiered so the students sat above me, and the spotlight of their eyes focused intently. I felt like I was the center of attention and hated it so much, that I tried to avoid it at all costs. Avoid. Do not be loud. Let everyone be louder, make more noise, be better at everything for me. And my body suffered, my scholarship suffered, my heart suffered for trying to constantly be small.
I was doing my best, but I do not like that person. One of my written evals said, "She doesn't tell us what she thinks enough. She just turns it around, like what do you all think?" And this was written like a bad thing, like why could I not be gutsier to talk about my opinions? Why is it that sometimes the best most liberating spaces, squelch us the most? Or why can it be productive for some and all-consuming for others? This is as true a performance in life as it is in teaching. To be honest, I don't see a ton of difference between the two.
I am not a very good teacher. Yet. I am not the best at living my life yet either. But I love being in the process. Of pretty much making mistakes and then fixing them or letting some go unfixed. But what I am learning even more is that I am in process of forgiving. Of forgiving people who have hurt me, but mostly of forgiving myself and allowing myself the time and energy to heal the way I need to. Which, for all you unlucky people out there, is loudly, is proudly, in community. While this may not be what you are used to, while it may make me a bitch, or crazy, I think it is just a bit of the old me making a comeback. But because it is a process, I offer, this video/lyrics from the Glee Ep, "Original Songs." Because. I. AM. Rachel.
http://www.youtube.com/watch?v=ltA50HKyM14
What have I done? I wish I could run
Away from this ship goin' under
Just tryin' to help, hurt everyone
Now I feel the weight of the world is
On my shoulders
What can you do when your good isn't good enough?
When all that you touch tumbles down?
'Cause my best intentions keep making a mess of things
I just wanna fix it somehow
But how many it times will it take?
Oh, how many times will it take for me?
To get it right
To get it ri-igh-ight
Can I start again with my faith shaken?
'Cause I can't go back and undo this
I just have to stay and face my mistakes
But if I get stronger and wiser
I'll get through thisWhat can you do when your good isn't good enough?
When all that you touch tumbles down?
'Cause my best intentions keep making a mess of things
I just wanna fix it somehow
But how many it times will it take?
Oh, how many times will it take for me?
To get it right
To get it ri-igh-ight
So I throw up my fist
I will punch in the air
And accept the truth that sometimes life isn't fair
Yeah, I'll send out a wish
Yeah, I'll send up a prayer
And finally, someone will see
How much I care!
What can you do when your good isn't good enough?
When all that you touch tumbles down?
'Cause my best intentions keep making a mess of things
I just wanna fix it somehow
But how many it times will it take?
Oh, how many times will it take for me?
To get it right
To get it ri-igh-ight
Sunday, April 3, 2011
John T. Warren, PhD
I have a prospectus due tomorrow for performative pedagogy. Prior to today, I had wanted to write it based off of a model by Dr. John T. Warren, a respected professor of Speech Communication at SIU Carbondale. I don't know if Dr. Warren passed away last night or this morning, but, inevitably I learned of his passing, this morning before attempting to write my prospectus. Grappling with and through tears, I continue to see my project inspired by his work. My desire is to work from recognizing my positionalities in the classroom as a way to make connenctions and build alliances with marginalized students. As an anti-racist, white, queer, woman, it is important to me that my students of color, my queer students, my female students, my differently-abled bodied students, feel that at least some place on this campus validates their experiences and privileges their bodily experiences. It is also my attempt to educate other white people about their whiteness, to be accountable to the places I am privileged, to make others accountable.
As Dr. Warren writes, "The erasure of the body is always a violent act a signal that the body should be, must be controlled and denied. Any erasure is indeed violent, but as cultural politics enter the vividness of the violence becomes more pronounced"(92).
He writes extensively on our racist education system and how we have been trained to privilege certain epistemologies, while marginalizing others. I very much saw myself in his struggle to work with a female student of color on her writing, as it was not at a very "proficient" level. However, what he comes to realize through the writing of the piece, and talk about performative poetics, that really, it is the racist education system that priviileges writing practice as a way of knowing above other forms of demonstrating knowledge (like oral interpretation, public speaking/student comments, performances/using the body) that structures how people in dominant positions view valuable forms of knowledge and learning (wow, that seems like an extremely convoluted sentence. Good thing this is not what I am turning in!)
As Warren marks with red pen all over this woman's paper, he realizes that he is marking all over her body, her experience. He explores how in his dominant positions, his privilege, has enabled him to say perform in this one very rigid way, mainly through writing. I love writing, I think it is an amazing way to explore and relay ideas. But should we judge all people on the same standard of what "good writing" is. I hope not, because I would be failing right now!
Anyway, I am interested in examining how being queer and female in the classroom affects all my teaching interactions. As both a professor and a student my queerness places my body in a precarious position because I do not "look" queer, yet I do not perform heteronormativity either. As a person who teaches about "others" my "othered" identities ultimately come into play, my body can not be left outside the classroom. In the end, however, this project is not about me, but about creating relationships with other people/students who are marginalized. How does my marginalization connect me to those marginalized students, while keeping me, from connecting with other more resistant students often in positions of power/domination.
Warren concludes the piece, "Until we resist the desire for absence, thereby embracing various bodies in all their excesses, we will continue to reify a system that inherently serves a racist and destructive agenda."
John T. Warren was an inspiring man, and an amazing anti-racist whiteness scholar in my field. His work, which at times has actually brought me to physical tears (and continues to this evening) will be greatly missed. He was supposed to speak at the University of Denver tomorrow I believe, and I was looking forward to hearing him speak, and getting to meet with him in office hours. While that will no longer be a possibility, I will continue to respect and engage with his work in this class and in the future. Peace be with his family, colleagues, advisees, and any one else affiliated with him.
As Dr. Warren writes, "The erasure of the body is always a violent act a signal that the body should be, must be controlled and denied. Any erasure is indeed violent, but as cultural politics enter the vividness of the violence becomes more pronounced"(92).
He writes extensively on our racist education system and how we have been trained to privilege certain epistemologies, while marginalizing others. I very much saw myself in his struggle to work with a female student of color on her writing, as it was not at a very "proficient" level. However, what he comes to realize through the writing of the piece, and talk about performative poetics, that really, it is the racist education system that priviileges writing practice as a way of knowing above other forms of demonstrating knowledge (like oral interpretation, public speaking/student comments, performances/using the body) that structures how people in dominant positions view valuable forms of knowledge and learning (wow, that seems like an extremely convoluted sentence. Good thing this is not what I am turning in!)
As Warren marks with red pen all over this woman's paper, he realizes that he is marking all over her body, her experience. He explores how in his dominant positions, his privilege, has enabled him to say perform in this one very rigid way, mainly through writing. I love writing, I think it is an amazing way to explore and relay ideas. But should we judge all people on the same standard of what "good writing" is. I hope not, because I would be failing right now!
Anyway, I am interested in examining how being queer and female in the classroom affects all my teaching interactions. As both a professor and a student my queerness places my body in a precarious position because I do not "look" queer, yet I do not perform heteronormativity either. As a person who teaches about "others" my "othered" identities ultimately come into play, my body can not be left outside the classroom. In the end, however, this project is not about me, but about creating relationships with other people/students who are marginalized. How does my marginalization connect me to those marginalized students, while keeping me, from connecting with other more resistant students often in positions of power/domination.
Warren concludes the piece, "Until we resist the desire for absence, thereby embracing various bodies in all their excesses, we will continue to reify a system that inherently serves a racist and destructive agenda."
John T. Warren was an inspiring man, and an amazing anti-racist whiteness scholar in my field. His work, which at times has actually brought me to physical tears (and continues to this evening) will be greatly missed. He was supposed to speak at the University of Denver tomorrow I believe, and I was looking forward to hearing him speak, and getting to meet with him in office hours. While that will no longer be a possibility, I will continue to respect and engage with his work in this class and in the future. Peace be with his family, colleagues, advisees, and any one else affiliated with him.
Saturday, April 2, 2011
Something really smart was said
This post is sort of random and inspired by my X-Files watching, Bloody Mary, Chocolate/Chiles, coma I have induced myself into. Mainly I am writing this because, for some reason, I can't seem to write anything else, and I feel that maybe if I get this out I will be able to write something more "academic" again?
Yesterday, I was chatting with my ever-elusive best friend. For purposes of the blog I will call him Danimal Strassmonster. I was chatting with the Danimal because I had a horrendous teaching experience on Thursday. My mind was already sort of elsewhere, teaching 2-4 on Thursday which means the last day of the regular week in DU Land, and my lady was leaving for Portland, and I was trying to decide if First Friday at Tracks was going to be worth the potential repeat of last time or not? In the end, I decided no amount of emotional trauma was worth that, especially, not having my lady with me (although, admittedly I would have had the MOST AMAZING buffer of queers EVER) I went to a more queer party, Damn Gurl, put on for anyone who identifies as queer, like the Danimal, who is a straight man who identifies as queer. Anyway, I was hoping it would be more welcoming to him because the last time we went to First Friday he was practically told to leave because of his heterosexuality. While I am all for lesbian and female-only spaces, First Friday acts like it is open to anyone including allies, yet, was not at all welcoming to him. If it is an exclusive space, maybe that should be made more clear, or in fact maybe it should be made more QUEER! We are going to write some sort academic paper on this indiscretion.
Anywho, I am glad I did not go because my teaching experience has fed into my sort of heady, mindset a lot the past couple of days and I didn't need that when the "ex" and "bad friend from EP" were First Friday-ing it up. Turns out that indeed, the queer party was much more accepting of all of us, two queerly identified females, a couple of gay men, and two straight dudes. And according to Danimal it was the craziest place he has ever been. It reminded me of Drag Ball at Luther College quite honestly, an open place for the queers to gather. And it supports Prax(us), a non-profit, dedicated to ending human trafficking. Again reminiscent of the good ol' college days.
Anyway, when Danimal and I were talking about my teaching experience he made the amazing comment, that physiologically, the body is constantly shifting and so we are never the same person from one moment to the other. So this isn't a gigantic newsflash for anyone studying affect theory or the body in relation to identity, but it has made me rethink myself and my identities and my life and how I shift from moment to moment. One minute seemingly an angry queer, the next a an academic, the next a dog lover. I am all of these things simultaneously, but they also shift me constantly.
First of all there seems to be some sort of fear of making me angry circulating through the air. I am not an angry person, I am not mean. I am just not good at playing into white female civility and I refuse to try to do that to appease others, mainly other white females. That was the purpose of setting up the "You Don't Know How to Act" blog post and I refuse to play nice simply to brush over the fact that my feelings, my emotions have been deeply hurt and scarred by people, friends, a partner, even my sister who I thought loved me. I wrote that Blog to be funny with a tongue-in-cheek tone probably to cover up my feelings of being so hurt. I still have love for them, in a I love all humans, Kumbaya sort of way, but to reiterate, my feelings are still very bruised, the wounds still festering under the skin.
To anyone who thought I should have known that the ex was going to break up with me, I ask you to think about that from the perspective of someone trying to hold onto a relationship that had been falling apart for a long time. Holding on, determined to make something work. Although, this may have been naive, when I say 100% commitment, I mean it. Whether I should have seen it coming doesn't matter, because I DID NOT SEE IT COMING! "Should have" doesn't really figure in to this equation any more. To anyone who thinks I should be over it already should maybe consider the aforementioned fact. Remember that I was not the one emotionally cheating and finding an intense connection with someone other than my partner. Also, figure into the fact that as a 27-year-old intelligent woman (who many consider the upper-echelon of hottness ;-)) that being left for a 22-year-old is sort of a smash to the ol' ego. So imagine a partnership of three years dissolving, and then the girl it dissolved for suddenly turning up at all of your new social locations. While I should maybe be over it, over her, I am not. So every time she enters a room it makes me want to leave it. Every time I see my ex with her or without her, I become physiologically ill, because I am still so hurt that someone would do that to me. Then to have it thrown in my face. Now imagine that girl, that 22-year-old, trying to be friends in various ways with my best friends in Denver? Maybe other people, who do not experience things on such a visceral level, wouldn't care, they could just keep dancing, but I cannot. Maybe I will someday, but, to be honest, as much as I want to be over it, my life the past three years means too much for me to just let it go and pretend that it isn't a painful thing to have lost or one of the most painful ways to lose it.
Now that I am talking a bit more to my first female ex, I can't imagine how in the world she could talk to me after I did something similar to her. All I can think is, that maybe after three years, (The amount of time that we didn't talk and we dated other people, and her now being engaged to another wonderful woman) maybe after three years, I will be able to not feel so hurt and angry, for not only being left by my ex, but for being abandoned by several people who I thought were near and dear to my heart. I don't know what is going on in my former life, all I know is that I have not heard from anyone who was a part of it for a long time. And if nothing else, a little support or even an apology could potentially mean a lot.
To clarify though, and I am writing this because I don't want it to seem like the hurting is really where my heart is. Because it isn't. My heart is actually in this really beautiful place because I am pretty sure I have met and been dating the most amazing lady...quite possibly The One. I know...how cliche. But I am so in love with the new lady that I cannot say her name without smiling and being filled with joy. And there are lots of reasons to love her, but mainly, and I admit this to the world, she calls me on my shit, like no one else I have ever been in a relationship with. But mostly, she is just great. And I just love her. Because I am a person who generally chooses to love.
Danimal keeps telling me that because I am so happy, I should be happy for the other people in my former life for being happy. I am working on that, but for now, I just want to focus on my happiness and if and when those people who used to care about me want back into my life, you know how to contact me.
Yesterday, I was chatting with my ever-elusive best friend. For purposes of the blog I will call him Danimal Strassmonster. I was chatting with the Danimal because I had a horrendous teaching experience on Thursday. My mind was already sort of elsewhere, teaching 2-4 on Thursday which means the last day of the regular week in DU Land, and my lady was leaving for Portland, and I was trying to decide if First Friday at Tracks was going to be worth the potential repeat of last time or not? In the end, I decided no amount of emotional trauma was worth that, especially, not having my lady with me (although, admittedly I would have had the MOST AMAZING buffer of queers EVER) I went to a more queer party, Damn Gurl, put on for anyone who identifies as queer, like the Danimal, who is a straight man who identifies as queer. Anyway, I was hoping it would be more welcoming to him because the last time we went to First Friday he was practically told to leave because of his heterosexuality. While I am all for lesbian and female-only spaces, First Friday acts like it is open to anyone including allies, yet, was not at all welcoming to him. If it is an exclusive space, maybe that should be made more clear, or in fact maybe it should be made more QUEER! We are going to write some sort academic paper on this indiscretion.
Anywho, I am glad I did not go because my teaching experience has fed into my sort of heady, mindset a lot the past couple of days and I didn't need that when the "ex" and "bad friend from EP" were First Friday-ing it up. Turns out that indeed, the queer party was much more accepting of all of us, two queerly identified females, a couple of gay men, and two straight dudes. And according to Danimal it was the craziest place he has ever been. It reminded me of Drag Ball at Luther College quite honestly, an open place for the queers to gather. And it supports Prax(us), a non-profit, dedicated to ending human trafficking. Again reminiscent of the good ol' college days.
Anyway, when Danimal and I were talking about my teaching experience he made the amazing comment, that physiologically, the body is constantly shifting and so we are never the same person from one moment to the other. So this isn't a gigantic newsflash for anyone studying affect theory or the body in relation to identity, but it has made me rethink myself and my identities and my life and how I shift from moment to moment. One minute seemingly an angry queer, the next a an academic, the next a dog lover. I am all of these things simultaneously, but they also shift me constantly.
First of all there seems to be some sort of fear of making me angry circulating through the air. I am not an angry person, I am not mean. I am just not good at playing into white female civility and I refuse to try to do that to appease others, mainly other white females. That was the purpose of setting up the "You Don't Know How to Act" blog post and I refuse to play nice simply to brush over the fact that my feelings, my emotions have been deeply hurt and scarred by people, friends, a partner, even my sister who I thought loved me. I wrote that Blog to be funny with a tongue-in-cheek tone probably to cover up my feelings of being so hurt. I still have love for them, in a I love all humans, Kumbaya sort of way, but to reiterate, my feelings are still very bruised, the wounds still festering under the skin.
To anyone who thought I should have known that the ex was going to break up with me, I ask you to think about that from the perspective of someone trying to hold onto a relationship that had been falling apart for a long time. Holding on, determined to make something work. Although, this may have been naive, when I say 100% commitment, I mean it. Whether I should have seen it coming doesn't matter, because I DID NOT SEE IT COMING! "Should have" doesn't really figure in to this equation any more. To anyone who thinks I should be over it already should maybe consider the aforementioned fact. Remember that I was not the one emotionally cheating and finding an intense connection with someone other than my partner. Also, figure into the fact that as a 27-year-old intelligent woman (who many consider the upper-echelon of hottness ;-)) that being left for a 22-year-old is sort of a smash to the ol' ego. So imagine a partnership of three years dissolving, and then the girl it dissolved for suddenly turning up at all of your new social locations. While I should maybe be over it, over her, I am not. So every time she enters a room it makes me want to leave it. Every time I see my ex with her or without her, I become physiologically ill, because I am still so hurt that someone would do that to me. Then to have it thrown in my face. Now imagine that girl, that 22-year-old, trying to be friends in various ways with my best friends in Denver? Maybe other people, who do not experience things on such a visceral level, wouldn't care, they could just keep dancing, but I cannot. Maybe I will someday, but, to be honest, as much as I want to be over it, my life the past three years means too much for me to just let it go and pretend that it isn't a painful thing to have lost or one of the most painful ways to lose it.
Now that I am talking a bit more to my first female ex, I can't imagine how in the world she could talk to me after I did something similar to her. All I can think is, that maybe after three years, (The amount of time that we didn't talk and we dated other people, and her now being engaged to another wonderful woman) maybe after three years, I will be able to not feel so hurt and angry, for not only being left by my ex, but for being abandoned by several people who I thought were near and dear to my heart. I don't know what is going on in my former life, all I know is that I have not heard from anyone who was a part of it for a long time. And if nothing else, a little support or even an apology could potentially mean a lot.
To clarify though, and I am writing this because I don't want it to seem like the hurting is really where my heart is. Because it isn't. My heart is actually in this really beautiful place because I am pretty sure I have met and been dating the most amazing lady...quite possibly The One. I know...how cliche. But I am so in love with the new lady that I cannot say her name without smiling and being filled with joy. And there are lots of reasons to love her, but mainly, and I admit this to the world, she calls me on my shit, like no one else I have ever been in a relationship with. But mostly, she is just great. And I just love her. Because I am a person who generally chooses to love.
Danimal keeps telling me that because I am so happy, I should be happy for the other people in my former life for being happy. I am working on that, but for now, I just want to focus on my happiness and if and when those people who used to care about me want back into my life, you know how to contact me.
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