A graduate student with more passion than smarts' warped take on culture/s and life.
Wednesday, March 26, 2008
Stuff White PeopleLike
stuffwhitepeoplelike.wordpress.com/
Monday, March 24, 2008
Blog Number 2 FOLKS FEST
Check it out!
Folks Fest at Planet Bluegrass!!
Stronger Woman
--
Stronger Woman, Jewel
I guess you could say I'm one of those girls
That's always been with one of those guys
You know the type
Like right now, he sleeps while I write
But it's better than crying
I'm worn out from trying
From loving a man who always makes it clear
I'm not welcome here
Just till he's horny and hungry
or needs something cleaned
And you know what I mean
But not tonight
'Cause come the morning light, oh
I'm gonna love myself more than anyone else
Believe in me, even if someone can't see
The stronger woman in me
I'm going to be my own best friend
Stick with me till the end
Won't lose myself again, never, no,
'Cause there's a stronger woman,
A stronger woman in me
Light bulbs buzz,
I get up
And head to my drawer
I wish there was more
I could say
Another fairytale fades to gray
I've lived on hope
Just like a child
Walking that mile
Faking that smile
All the while
Wishing my heart had wings
Well tonight, I'm going to be
The kind of woman I'd want my daughter to be, oh
I'm gonna love myself more than anyone else
Believe in me, even if someone can't see
There's a stronger woman in me
I'm gonna be my own best friend
Stick with me till the end
I won't lose myself again, never, no
'Cause there's a stronger woman,
A stronger woman
This is me, packing up my bags
And this is me, headed for the door
And this is me, the best you ever had
I'm going to love myself
More than anyone else
Believe in me even if someone cannot see
There's a stronger woman in me
I'm going to be my own best friend
Stay with me till the end
Won't lose myself again, never, no
'Cause there's a stronger woman
A stronger woman
There's a stronger woman,
A stronger woman in me,
Yeah...
--
Sunday, March 23, 2008
VOMIT!
Brad Paisley, I'm Still a Guy
When you see a deer you see Bambi
And I see antlers up on the wall
When you see a lake you think picnics
And I see a large mouth up under that log
You're probably thinking that you're gonna change me
In some ways well maybe you might
Scrub me down, dress me up aww but no matter what
Remember, I'm still a guy
When you see a priceless French painting
I see a drunk, naked girl
You think that ridin' a wild bull sounds crazy
And I'd like to give it a whirl
Well love makes a man do some things he ain't proud of
And in a weak moment I might walk your sissy dog, hold your purse at the mall
But remember, I'm still a guy
And I'll pour out my heart
Hold your hand in the car
Write a love song that makes you cry
Then turn right around knock some jerk to the ground
'Cause he copped a feel as you walked by
I can hear you now talkin' to your friends
Saying, "Yeah girls he's come a long way"
From draggin' his knuckles and carryin' a club
And buildin' a fire in a cave
But when you say a backrub means only a backrub
Then you swat my hand when I try
Well now, what can I say at the end of the day
Honey, I'm still a guy
And I'll pour out my heart
Hold your hand in the car
Write a love song that makes you cry
Then turn right around knock some jerk to the ground
'Cause he copped a feel as you walked by
These days there's dudes gettin' facials
Manicured, waxed and botoxed
With deep spray-on tans and creamy lotiony hands
You can't grip a tacklebox
Yeah with all of these men linin' up to get neutered
It's hip now to be feminized
I don't highlight my hair
I've still got a pair
Yeah honey, I'm still a guy
Oh my eyebrows ain't plucked
There's a gun in my truck
Oh thank God, I'm still a guy
...gross...

Saturday, March 22, 2008
Manatees
Friday, March 21, 2008
Check it out
check it out, it is my qualitative methods professor and one of the doctoral students in my program at DU and it is all about downtown Denver. Is a very interesting read on consumerism culture and identity as performed on the 16th St. Mall.
Shout out to them!
Thursday, March 20, 2008
Margot at the Wedding
I liked the scene especially well when Margot and her sister Pauline are in a hotel room. Margot who is a writer of books and magazine stories is sitting on the bed with her journal before her writing. Pauline accuses her of writing about her and the situation they are currently in. Apparently in the past Margot has written about Pauline's life and it ended up in tragedy. She rips the journal from Margot's hands and says, "The rights to this are not for sale."
I thought this made some great connections between writing biography, ethnography, autobiography and what are the ethical lines and limitations of writing about people we are intimately connected with. How as researchers should we be committed to ethically representing the people we are working with. I think we must be held to an utmost standard not of portraying accuracy, honesty, and the truth but of being fair, empathetic, and accountable. This means showing care and thinking about the way we
would like to be represented if the research were about us and even better talking about ourselves (the self) in the research so as to make one even more accountable to the process.
This also made me recall a conversation had in my qualitative methods II class about the woman who supposedly wrote a memoir about her life in a gang. It was later found that all of the things she wrote about were fabrications, that she had been dishonest about her past with just about everyone and written a book about it. I would never advocate that this is an ethical position to hold to premeditate fabrications and falsify stories but I also think we have to reconceptualize the Truth. Was it ethical-no but if it helped someone and served a larger purpose might the outcome be worth it? I don't know but these are questions I have to ask. Is the greater good of helping someone, calling people to action/social justice more important than complete and utter honesty which can never actually be achieved anyway? I think it might.
This reminds me of Testimonios written about mainly women in Central and South America. The women in these testimonies reveal their stories about having loved ones disappear in countries facing political turmoil. These women risk their lives to join activist groups in order to stand against the the government in solidarity. The testimonios are mainly written for an American audience so that they will be called to action to ask the U.S. government to send support to stop funding for corrupt governments that harm and torture Central and South American people. These testimonios are calls to action for people in the U.S. to realize what happens in other countries and how the U.S. contributes to these problems. However, what was later found was that the stories in the testimonios were sometimes part of a collective consciousness made because the society's of which these women took part were collective society's so what happened to a neighbor or relative felt like it was directly tied to the woman telling her story to the translator and using it though it were her own tragedy to tell-in a way it was. But is this being dishonest, using a clever strategy, or simply an act of story-telling? It is hard to say but I can't help but think that without these testimonios the words of these women might never be heard and if it can call one person's attentions (and it did because it drew mine)so even if it is not completely factual-it served a greater purpose.
This doesn't mean advocating lies or thinking it is ethical to falsify a complete story but in this sense the author of the gang memoir is villanized for not being truthful but stories like Into the Wild are valorized because they are supposed insights into the truth-but the story serves no purpose but to illustrate a white privileged kid deciding to give it all up to disconnect from society in the wilderness. What good does supposedly piecing his story together do for humanity? What does the attempt to retrace his steps, talk to people he knew, go to the place his body was found? This is not Truth, this is Krakauer's interpretation of truth as he figured it out. And he portrays McCandless as a hero and Krakauer is a hero for finding this uncovered story. Although I liked the movie, I think it failed to focus on the real culprit, mental and social dis-ease. No one knows what McCandless's story really is and the book even if it had been written by him himself would not be the accurate and real story behind his life.
So why do we value some stories, valorize them and glorify the writers and subjects and others we condemn and villianize. I understand the situations and circumstances are different-but not so much that no comparisons can be drawn. In the end I think it comes down to the bodies that are being represented and the narratives being told in each of these types of story. Into the Wild's main character is an upper-class white privileged kid from Virginia or something who goes Emory University and is on a quest "to Find Himself." This is a story I bet a lot of white middle class white men could relate to-not wanting to deal with life, wanting to be free from societal expectations etc and I say men not because women do not feel the same but the manifestations because of society tend to be different. Men are supposed to be removed nature (more feminine characteristic) and primal nature which is no longer socially acceptable o the ultimate release is for them to become in touch with these things. I know these are large sweeping generalizations but being raised by a step father who obviously wished for this life as well as an uncle who is still trying to live it I think it might be somewhat fair. In opposition In Love and Consequence is written by a white woman also middle class but supposedly about herself as a multi-racial Native American and white girl in and out of foster care. This is telling a harrowing tale of interacting with black people and dealing with gang violence. This is an unpleasant story to hear and tell and one that she should have probably prefaced as being a compilation of truth, fiction, and other people's stories but didn't. While the theory might not hold up in court I can't help but think it definitely has something to do with it. I am not on her side but I think things are always more complex then we would like to make them-boil everything down to black and white-Truth and lies. But everything is a representation and interpretation and those are all subjective. We can never get to the truth of experience no matter how hard we try so the point is to maybe think of the bigger picture, the purpose of the work. This is a challenge because most people in this society want real definitive answers or are only open to discourses of the unknown as they relate to Jesus and God. I would hope people would be open to empathy and accountability...I think I will be working on that for awhile
--
MARGOT AT THE WEDDING Trailer
Saturday, March 15, 2008
I'm in Florida
I am taking a hiatus from the land of computers starting after I finish my last paper due on Monday at noon. I am hoping to have it done even sooner and bid this POS adieu because I am in Florida on vacation. Not like crazy Daytona Beach spring break or anything like that but spring break on Sanibel Island which is basically like EP but by the ocean instead of in the mountains. The restaraunts instead of being mountain lodge themed are all themed like the marina, pirate ships, etc. Anyway, it is beautiful and sunny and I am hoping to come back relaxed and rested and even more tan then when I left. Hehe!!
peace from the beach
KHobs
Wednesday, March 12, 2008
What did you learn in school today?
What Did You Learn in School Today?
Words and Music by Tom Paxton
What did you learn in school today,
Dear little boy of mine?
What did you learn in school today,
Dear little boy of mine?
I learned that Washington never told a lie.
I learned that soldiers seldom die.
I learned that everybody's free.
And that's what the teacher said to me.
That's what I learned in school today.
That's what I learned in school.
What did you learn in school today,
Dear little boy of mine?
What did you learn in school today,
Dear little boy of mine?
I learned that policemen are my friends.
I learned that justice never ends.
I learned that murderers die for their crimes.
Even if we make a mistake sometimes.
That's what I learned in school today.
That's what I learned in school.
What did you learn in school today,
Dear little boy of mine?
What did you learn in school today,
Dear little boy of mine?
I learned our government must be strong.
It's always right and never wrong.
Our leaders are the finest men.
And we elect them again and again.
That's what I learned in school today.
That's what I learned in school.
What did you learn in school today,
Dear little boy of mine?
What did you learn in school today,
Dear little boy of mine?
I learned that war is not so bad.
I learned of the great ones we have had.
We fought in Germany and in France.
And some day I might get my chance.
That's what I learned in school today.
That's what I learned in school.
--
there is also a really good vid on utube linking the Iraq war to this song but it is unable to be embedded. I suggest checking it out!
--
here's one version done by Pete Seeger I think he and Tom are BFF
Tuesday, March 11, 2008
Glentucky at Dead Guy Days
--
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Thursday, March 6, 2008
Better Get To Livin, so says Dolly
Better Get To Livin Lyrics
--
People always comin' up to me and askin'
"Dolly, what's your secret?
With all you do, your attitude
Just seems to be so good
How do you keep it?"
Well, I'm not the Dalai Lama, but I'll try
To offer up a few words of advice.
Chorus:
You better get to livin', givin'
Don't forget to throw in a little forgivin'
And lovin' on the way
You better get to knowin', showin'
A little bit more concerned about where you're goin'
Just a word unto the wise
You better get to livin'.
A girlfriend came to my house
Started cryin' on my shoulder Sunday evening
She was spinnin' such a sad tale
I could not believe the yarn that she was weavin'
So negative the words she had to say
I said if I had a violin I'd play.
I said you'd better get to livin', givin'
Be willing and forgivin'
Cause all healing has to start with you
You better stop whining, pining
Get your dreams in line
And then just shine, design, refine
Until they come true
[Better Get To Livin' lyrics on http://www.metrolyrics.com]
And you better get to livin'.
Your life's a wreck, your house is mess
And your wardrobe way outdated
All your plans just keep on falling through
Overweight and under paid, under appreciated
I'm no guru, but I'll tell you
This I know is true.
You better get to livin', givin'
A little more thought about bein'
A little more willin' to make a better way
Don't sweat the small stuff
Keep your chin up
Just hang tough
And if it gets too rough
Fall on your knees and pray
And do that everyday
Then you'll get to livin'.
The day we're born we start to die
Don't waste one minute of this life
Get to livin'
Share your dreams and share your laughter
Make some points for the great hereafter.
Better start carin'
Better start sharin'
Better start tryin'
Better start smiling
And you better get to livin'...

--
Wednesday, March 5, 2008
FIERCE!...or something like it
Above all I love BRAVO and their commitment to showing different aspects of gay and queer lives and different degrees of gayness. Although "we" have Logo it is really BRAVO that I think has a wider range of representations of gays really living their daily lives even if in a totally constructed reality show world.
Monday, March 3, 2008
songs for the day
--
Kittery Tide, Girlyman
There are times when I want to pick up and say goodbye
To the oldest friends I've known
Jump in the car with no street map
No long sleeve shirts or shoes to pack
Just the sound of you and my guitar
Chorus: I can't wait 'til the day
You come running to say
Those summer nights are here to stay
We can run far away
Not tell a soul for a day
Carry me, oh freedom's delight
'cause I've spent times locked in grooves
Trapped in mama's old black shoes
Or my papa's, folks' and friends'
Always wanted a way just to have my own say
And walk the untrod path 'til the end
Chorus
As the map tore in two
I swore and vented like a fool
Watching miles tick, road signs fly
But I was running from myself
There was no one else
Who could know that better than I
Chorus
As the light changed to red
I wrapped the scarf tight round my head
I was cold as the Kittery tide
There was not much more to see
So I turned back quietly
And crossed back to the other side
Chorus
--
And Coo Coos Nest, Jeff Austin normally with Yonder Mountain String Band
--
Southern Sun and Vox Rising
After dinner we hit up http://www.voxfeminista.org/VoxRisingSpring08.html a youth theatre performance about the children who are left behind, which was very moving, despite being problematic at times. Vox Rising is part of the larger Vox Feminista http://www.voxfeminista.org/ theatre organization, which is an interactive multi-media approach to performance. Let's just say it is a group I am interested in doing performance ethnography with-whoot! This is the kind of stuff I thought others would be interested in-especially if you live in Colorado, but if any of you come visit me we will definitely have to venture to these places! Yay happy weekend!